SPKR/Artists/Kayo Dot products

Kayo Dot - Every Rock, Every Half-truth Under Reason from 9,98 €

Tue, 07 Jul 2026 08:51:39 +0200

On their eleventh regular studio album, "Every Rock, Every Half-Truth under Reason", conceptual and experimental artists KAYO DOT commemorate the 20th anniversary of "Choirs of the Eye" by reuniting the original line-up. This bold musical statement from the ever-changing composer and mastermind Toby Driver marks both a return and a progression from the band's seminal debut by revisiting the compositional practices that defined it while pushing forward into uncharted territory. Rejecting traditional rock structures and the more predictable contours of metal, "Every Rock, Every Half-Truth under Reason" shapes a sound that feels familiar and alien at once, where custom-designed microtonal organs and guitars weave an effort to reconcile the impossible tension between past and future. Moving away from the typical emphasis on low-end frequencies, it floats instead in the upper spectrum, where the textures become more fragile, more intimate, and more abrasive and terrifying. This KAYO DOT album is also haunted by the ghost of a future to come: the spectre of AI-generated creativity. The increasing presence of artificial composition, predictive modelling, and algorithmic aesthetics casts a long shadow over all creative work today, which caused Driver to write in ways that resist prediction, to compose music that does not reveal itself to pattern recognition. Much of the album is an effort to move against the grain of legibility, to make something that slips from the grasp of systems designed to anticipate us. After the split of much loved MAUDLIN OF THE WELL, Toby Driver formed the avant-garde music project KAYO DOT as a new outlet for his burgeoning creativity in 2003. In the following 20 years, KAYO DOT released an impressive number of full-lengths, EPs, splits, and live recordings that are all marked by considerable stylistic differences and a wide array of instrumentation that included guitars, bass, drums, vibraphone, violin, synthesizers, flutes, clarinets and saxophone.

Tracklist:
1. Mental Shed
2. Oracle By Severed Head
3. Closet Door in the Room Where She Died
4. Automatic Writing
5. Blind Creature of Slime

Bonus tracks (Artbook only)
1. Mental Shed (instrumental)
2. Automatic Writing (instrumental)
3. Closet Door in the Room Where She Died (instrumental)
4. Augoeides

Prophecy-Artist-Fake-Artikel 0,00 €

Mon, 21 Feb 2022 14:47:59 +0100

Kayo Dot - Moss Grew on the Swords and Plowshares Alike from 10,98 €

Tue, 30 Jun 2026 12:28:50 +0200

The stark frailty of the human condition is the overall theme running through the veins of KAYO DOT's 10th regular studio album "Moss Grew on the Swords and Plowshares Alike". In the sprawling, churning musical multiverse of mainly multi-instrumentalist Toby Driver's creation that has never accepted nor cared for any artificial borders of genre and incorporated for example rock, metal, classical music, goth, indie, pop, and jazzy structures, this avant-garde album appears to tilt towards a more harsh as well as heavy approach than on some of the previous recordings – and considering its dark and melancholic undertones may be given the epithet doom. Something of the pagan mind's cyclic vision of the world appears to have infected "Moss Grew on the Swords and Plowshares Alike". This album has been recorded with the original line-up of Toby Driver's previous band MAUDLIN OF THE WELL. He also recorded the new tracks in the same location as the very first MAUDLIN OF THE WELL tape. In a way, KAYO DOT are celebrating the 20th anniversary of the release of the landmark double album "Bath/Leaving Your Body Map" and the 25 years since MAUDLIN OF THE WELL's inception with "Moss Grew on the Swords and Plowshares Alike". After the split of much loved MAUDLIN OF THE WELL, charismatic frontman Toby Driver formed the avant-garde music project KAYO DOT as a new outlet for his burgeoning creativity in 2003. The multi-instrumentalist and singer remains the only absolute constant in this band, although there are frequent lyrical contributions from his former band-mate Jason Byron throughout the extensive discography. In the following 18 years, KAYO DOT released an impressive number of full-lengths, EPs, splits, and live recordings that are all marked by considerable stylistic differences and a wide array of instrumentation that included guitars, bass, drums, vibraphone, violin, synthesizers, flutes, clarinets and saxophone. Especially in progressive circles, KAYO DOT has become a household name and is supported by prestigious, forward thinking festivals such as Roadburn. With "Moss Grew on the Swords and Plowshares Alike", KAYO DOT deliver another beautiful and essential facet of their complex musical multiverse, although the album can easily stand on its own as a most impressive piece of dark avant-garde metal.

Tracklist:
1. The Knight Errant
2. Brethren of the Cross
3. Void in Virgo (The Nature of Sacrifice)
4. Spectrum of One Colour
5. Get out of the Tower
6. The Necklace
7. Epipsychidion

Kayo Dot - Blasphemy from 9,98 €

Thu, 07 May 2026 14:34:58 +0200

Kayo Dot, the endlessly eclectic project of composer and producer Toby Driver, was formed in 2003 by the members of the legendary aethereal metal band Maudlin Of The Well. Since then, the group's muse has shown its face through slow and massive cascades of guitars and violins, and soundscapes spanning from tripped-out goth fusion, informed by Miles Davis' "Bitches Brew," to hyper-fast, angular and atonal suicidal black metal.

Kayo Dot’s members come from very different backgrounds, ranging from DIY punk kids to the most erudite conservatory-educated New York performing musicians. Driver's list of collaborators includes names like Randall Dunn (WITTR, Myrkur, Sunn O))), Secret Chiefs 3 (Trey Spruance of Mr. Bungle), John Zorn, and G. Stuart Dahlquist (Burning Witch, Asva), among many others. The diversity of the musicians involved feeds Kayo Dot's ability to wind, twist, and leave you wanting with no clue on how it will evolve, while creating sounds that are both timeless and contemporary.

Now fifteen years on, Kayo Dot's new album, "Blasphemy," is once again based on an allegorical story by Jason Byron. It explores greed, especially politically, and surrounds three characters on their search for treasures; only to be destroyed by the very treasure they sought – a sleeping girl with terrible power named Blasphemy. Produced by Randall Dunn (who helmed Kayo Dot's "Hubardo," "Coyote," and "Blue Lambency Downward"), "Blasphemy" is Kayo Dot’s most forthright statement ever - directly confronting the world at-hand, foregoing the encouraged escapism found ubiquitously throughout the rest of their catalogue, and embracing the perspective a band in such a rare position as this can bring - much more energetic than the ebb and flow of 2003's "Choirs Of The Eyes", a more straight-ahead rock album than "Dowsing Anemone With Copper Tongue" (2006) that channels the playfulness of 2010's "Coyote." Pulling from elements of black metal, jazz, pop and Driver's own wild sonic concoctions, Kayo Dot is constantly evolving.

"Blasphemy" will be released on September 6th, 2019 via Prophecy Productions, and will be available on LP, CD Digipak, 2xCD book edition (hardcover, 18x18cm, 48 pages with enhanced artwork, a full chapter of the novel that serves as the album’s thematic basis, and feat. the 6-track bonus CD “Purity” with renditions of “Blasphemy” tracks by Wet Math) and ltd. boxset (LP on exclusive clear vinyl, 2xCD artbook, three art prints, and a full map of the novel’s universe).